Warren Mackenzie 1924-
Tripod Bowl, Made at Stillwater, Minnesota.

Porcelain, celadon glaze, Impressed personal seal obscured by glaze. Diam.14.0 cm.
Bernard Leach writing in A Potters Work writes, "In the West the expectation is that porcelain should be translucent as well as white. This is not always demanded in the East, Korean porcelain seldom displays these characteristics"
This bowl by Warren Mackenzie is an example of this eastern aesthetic as regards the use of porcelain this bowl is thrown thickly displaying strength and a quiet presence. The qualities that both Hamada and Bernard Leach recognized in Korean ceramics.
Private Collection

Geoffrey Whiting 1919-1988
Brush Pot. Made at St. Augustines, Canterbury.

Stoneware, celadon glaze with brush pattern. In conversation with the potter Jack Kenny who was the last apprentice working with Whiting up to his death in 1988, Jack told me that the pattern was called by Geoffrey the Bird Table design. This simple brush pot is a delight to see and to handle.

Size: h. 7.0cm Ø. 10.0.cms
Private Collection

Ian Gregory 1942-
Model of a Leach Kick Wheel. 1980's

Salt-glazed stoneware, this exquisite model accurate in every detail and glazed with the most wonderful salt-glaze.

Artist's Own Collection

The Leach Pottery 1951
Tall Tenmoku Glazed Jug

This is a fine example of a jug that was designed by Bernard Leach especially for The Festival of Britain which took place on the South Bank London to celebrate all things British. The jug based as it is on English mediaeval form illustrates perfectly Bernard's fusion of East & West. An English earthenware jug form made in stoneware and glazed in the classic Oriental high fired iron rich glaze known as Tenmoku. This example with it date boss 1951 was probably made to exhibit and sell in the British Crafts Pavilion. The jug was possibly thrown by David Leach. Impressed with SI mark of the Leach Pottery, St.Ives.

Size: h.25.0cm Ø.16.0cms (base)
Private Collection