 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sawankhalok
14th century.
Lidded box with knob handle,
made in
Thailand 14th century.
Stoneware, light grey body , grey celadon over a white slip brush
decoration.
H. 11.0.cm; Diam.11.5 cm,
These delightful boxes with their loose almost abstract brush work
have all the qualities that Bernard Leach found so attractive. Consummate
skill with out ego The pots of this area were long over looked by
collectors. I include this example because it was a pot similar to
this that is said to have been the inspiration for the following marmalade
jar by Bernard Leach,
Part of what I hope to illustrate with this section of the web-site,
is to put into context the references that artists, (in this case
potters), are influenced by and how they assimilate from earlier traditions.
Modifying and interpreting forms that had a different use or purpose.
Private
Collection
|
|
|
|
|
|
|
|
Bernard
Leach 1887 - 1979
Lidded marmalade jar, Made
in St Ives in the mid 60's
Porcelain, Celadon glaze with thin cobalt wash,iron brush work.
Impressed St Ives seal and BL painted signature. .
H. 11.0.cm; Diam.10.0 cm.
This form of lidded pot was made by Bernard Leach in a number of sizes
and with different methods of decoration. The marmalade version is
I feel the most satisfactory, perhaps because it is so close to the
Sawankhalok piece, which has a rightness of proportion that evolved
over a number of years of manufacture. A similar conclusion can be
drawn from the proportions of Jinan teabowls..Sometimes things are
just right.
This piece was most probably not thrown by Bernard only decorated
by him.
Private Collection |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Phil
Rogers 1951 -
Lidded box made at Marston
Pottery, Wales, 1997
Porcelain, Blue/green celadon glaze, impressed repeated diamond
pattern.
Impressed Phil Rogers personal seal.
H. 10.0 cm: Diam 11.0 cm,
This porcelain box by Phil Rogers again illustrates the hidden proportions
required for this form to be right. I am sure that the potter also
takes his starting position from the Sawankhalok piece, but again
by his own creative input and skills comes up with a most satisfying
interpretation, quiet and understated. This pot has a presence every
bit as powerful as the original Sawankhalok box.
Private
Collection
|
|
|
|
|
|
|
|
|
Warren
MacKenzie
Carved Lidded Box, made
Stillwater, Minnesota USA
Stoneware, thrown, altered and cut. Glazed in a soft white dolomite
glaze.
H. 14.5 cm:
This form of box by Warren is for me one of his most successful
pots. Every thing about it hints of Korean or Japanese influences.
Asymmetric and irregular facetting. The very subtle key, that so
perfectly shows the correct fitting position of the lid. Impressed
with the maker's personal mark.
Private
Collection
|
|
|
|
|
|
|
|
|
|
Bernard
Leach 1887 - 1979
Small lidded box. Made
in St Ives in the mid 60's
Porcelain, Celadon glaze.
Impressed St Ives seal and BL to the base.
H. 6.0 cm. Diam.2.0 cm.
A rare small box with modeled knob in the form of an elephant. Incised
cross hatched decoration.
Private Collection
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|