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Bernard Leach 1887 - 1979
Porcelain Bottle Vase, made at St Ives 60's.

Semi-matt celadon glaze,with iron speckles.
Impressed St Ives and Bernard Leach's personal seal.
H. 30.0 cm: Diam 13.0 cm,

This bottle is slightly glossy to one side, the effect of being fired in a cross draught kiln. Although pots with Bernard's decoration are highly esteemed, for me these plain gentle bottles sum up best, Leach's understanding of the ascetics of Zen Buddhism, remove every thing that is not essential. Only the pure form is retained.

Private Collection

Bernard Leach 1887 - 1979
Stoneware, press moulded bottle vase, made at St Ives 70's

Rich Tenmoku, thickly applied, but where thin breaking to rust. St Ives and BL seal to inside foot ring.
H.19.0 cm; W 12.0, D 8.00 cm

Bernard made many of these press moulded bottles, and examples of decorated versions appear later, when looking at the work of potters one should try to look for a kind of uniqueness. In these press moulded bottles one sees clearly Bernard Leach's distillation of his oriental perspective in this case Korean. Drawing on these infuences and making something that is very much his own.

Private Collection

James Walford 1913 - 2003
Porcelain bottle vase, engraved pattern to shoulder. Made 1948 - 59 Surrey. England.

Celadon glaze, thick silky glaze pooling darker in engraved marks.Impressed James Walford's personal seal to outside of base.
H. 15.0 cm: Diam 11.5 cm,

James Walford perhaps owes more to Charles Vyse than Bernard Leach, in addition to his thrown pieces he is well known for his figurative work. Like Vyse he sort to emulate classic Chinese glazes and forms. He was a founder member of the Craft Potters Association of Great Britain.

Private Collection

Janet Leach 1918 - 1997
Stoneware Bottle with Lugs Made at St Ives mid 80's

Stoneware,stained black with a black glaze (Tenmoku) pours Impressed St Ives and Janet Leach's personal seals.
H.20.5 cm; Diam, 13.0 cm

Bernard Leach met Janet while on a visit to Japan in the early 50's. Janet was working with Hamada at his Mashiko pottery. Janet is the one of the few potters who worked with Bernard to retain her own true voice. Her work owes all to the Japanese influences that she encountered while working in Japan. In her work one sees the influence of Oribe and Bizen, This bottle is very much a statement by Janet of her deep roots in the ceramic traditions of Japan.

Private Collection

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