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The
Path of metamorphosis
Now
I am rediscovering the skin of the clay. No longer wishing to cover
its surface with glaze, I have stripped it bare. Naked, it sends
me back to a rupturing, fissuring world. Accompanied by only, perhaps,
a few obstinate guardians. The presence of the animal, vegetal and
human elements protect us like a shield of which we must be aware
to avoid chaos.
I work on the clay: "I am its plasticity, its fragility".
Bronze forces me into a physical confrontation: the strength of
the metal. From the beginning I have sensed an almost indestructible
force. Does it perhaps come from myself?. The barely perceived path
that I must still seek leads me towards new metamorphose to glass.
By melting, the transformation from the organic to the mineral,
the liquid to the solid, the opaque to the transparent haunt me
to the point of presentiment. The dialogue between these materials,
their resonance, is not a confrontation but a search for harmony:
as if seemingly different worlds were suddently to realise that
they all came from the same magma and that they are here to play
from the same score, the opera of the world.
Christine Fabre
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